Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Juan de Espinosa
Bodego ochavado con racimos de uvas

ID: 76472

Juan de  Espinosa Bodego ochavado con racimos de uvas
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Juan de  Espinosa Bodego ochavado con racimos de uvas


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Juan de Espinosa

Spanish Baroque Era Painter, ca.1590-1641 Spanish painter. Details of his life are scarce. He is documented in Madrid and Toledo between 1612 and 1626, and while he is recorded as having painted religious pictures and portraits (untraced), he is only known today for his still-life paintings. Documents relating to another artist of the same name, known as Juan de Espinosa, dating from 1645 to 1677, concern a different painter.  Related Paintings of Juan de Espinosa :. | Still Life with Grapes (san 05) | Still Life with Grapes 6 | Still-Life of Fruit and a Plate of Olives | Still-Life with Flowers with a Garland of Fruit | A fountain of grape vines, roses and apples in a conch shell |
Related Artists:
HERREYNS, Willem
Flemish painter (b. 1743, Antwerpen, d. 1827, Antwerpen)
naigeon
(July 15 1738, Paris - 28 February 1810, Paris) was a French artist, atheist philosopher, editor and man of letters best known for his contributions to the Encyclop??die and for reworking Baron d'Holbach's and Diderot's manuscripts.
Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.






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